Julianna Barwick (Album Release Party!)

PopGun Presents

Julianna Barwick (Album Release Party!)

Helado Negro, Alias Pail

May 10

Doors: 8:30 pm / Show: 8:30 pm

Glasslands Gallery

Brooklyn, NY


This event is 21 and over

$10.00 DOS

Julianna Barwick (Album Release Party!)
Julianna Barwick (Album Release Party!)
Brooklynite Julianna Barwick’s voice is high, lucid and vaguely spiritual, like that of a child in a Christian-themed horror film. Her songs feature hardly any discernible words, yet few local musicians are so vocally oriented. On her self-released Sanguine, Barwick employs a guitar pedal to loop her voice, effectively creating her own backing choir through a modest four-track. Her overlapping vocals—almost entirely devoted to desperate Scrabble ploys like ahh or ooh—mesh together in a lovely blur. While Barwick rarely mimics the sound of an instrument, her web of vocals ultimately fills the role traditionally held by a band (aside from an occasional guitar, the album is largely a cappella).
Helado Negro
Helado Negro
The son of Ecuadorean immigrants, Helado Negro was born in South Florida in 1980. His childhood was suffused with tropical heat, humidity, hurricanes, all refracted with the rich sounds and colors of the various Latin American cultures of southern Florida. Pounding bass beats from passing cars, boom boxes bouncing down the block, and late-night parties called “peñas” provided a foundation for Helado Negro’s interest in sound and lifelong quest to discover the unlimited variety of objects used to produce music. Most recently he created a new collaborative group with Julianna Barwick called OMBRE releasing their debut album in 2012 called Believe You Me. Helado Negro has worked with Bear in Heaven mixing their Pitchfork’s Best New Music album Beast Rest Forth Mouth. He also produced Prefuse 73‘s 2010 album Everything She Touched Turned Ampexian.

If that was not enough, Helado Negro’s other projects include ROM, Epstein, and Helado Negro. Epstein is Helado Negro’s “beats and loops” project, a friendly beast born of the MPC sampler. Epstein’s wildly prolific output, including a series of digital releases, full-lengths, and a remix album, is a gauzy, sunny kind of dancemusic that references DJ mixing, summertime blockparties, and mellow compositional noise. Helado Negro came together when Helado Negro moved to New York in 2006 (he now calls Crown Heights, Brooklyn home). The early group concept grew through projects and experiments Roberto would conduct while recording himself and others in his home studio. Loops, computer synthesis, record samples, and live instruments provided the foundation for the first full-length, Awe Owe, a vibrant, shimmering, full-band Latin psyche-funk-folk epic.

After taking time to create a new series of sound sculptures, release a Helado Negro EP, score one film and begin work on another (based around his animation), Helado Negro recently holed up in a cabin in the Connecticut woods to record the follow-up to Awe Owe. Canta Lechuza is the latest incarnation of Helado Negro and its sound may come as a surprise. Gone is the big collaborative group jam of previous work and in its place is Helado-Negro-as-intimate-solo-project. Canta Lechuza feels like the place it was recorded—its vocals and beats and synth lines coming together to craft a warm, buoyant, comforting electronic dance sound, an effortless, personal thing anchored by Helado Negro’s warm, earthy, conversational voice. Based around field recordings and live instrumentation fed through computer processing, Canta Lechuza is a thoroughly modern affair, a thing drenched in texture and mood. The album has the feeling of hibernation, of satisfying days spent keeping warm next to the fire, of hot tea and technology as constant companions. It’s the kind of record that feels good to hear alone, but throw it on at your next danceparty and you will have no complaints. This is the world of Helado Negro. Keep an eye on him. He’ll always have a surprise for you…
Alias Pail
Alias Pail is a duo consisting of Bryan Doring (guitar, vocals, keyboards, electronics, sampler, percussion) and James Corrigan (keyboards, percussion, vocals, programming).

Bryan and James create a dense world of sounds that draw from disjointed sources. african and industrial rhythms co-mingle while 80's pop synths morph into the electronic experiments of krautrock, disco and then again into pure and open minimalism. These ideas are woven into a seamless tapestry of concise songs.
Venue Information:
Glasslands Gallery
289 Kent Avenue
Brooklyn, NY, 11249