PopGun Presents


Cape Francis

Jul 15

Doors: 6:00 pm / Show: 6:00 pm

Elsewhere - Rooftop

Brooklyn, NY

$15 / $18

This event is 16 and over

Cayucas, the Los Angeles-based band known for their sunny, melodic surf rock and buoyant,
rhythmic jams, know the value of a fresh start. After riding the wave that a pair of albums and
half a decade in the indie rock spotlight brings, the group—the work of twin brothers Zach and
Ben Yudin—found themselves facing an uncertain future after losing key parts of their
infrastructure. Seizing upon the opportunity to make a change, they responded by injecting a new
vibe into their bread and butter sound, resulting in no less than the album of their career.
Having burst upon the scene in 2012 with their debut, Bigfoot, Cayucas quickly earned all the
spoils for which a celebrated indie upstart could hope. Following two and a half years of heavy
touring, they released their second album, Dancing at the Blue Lagoon, in 2015, a slightly
moodier but no less infectious affair. It represented a creative step forward for the band, and
while its level of praise never quite equaled the fever pitch for their debut, fans enjoyed the
Yudin’s growth as songwriters and the record’s emotional depth. As they took time to begin
preparations for the next record, they were also faced with the task of finding a new record label
and representation. Undeterred, the brothers embraced the opportunity to reset.
“Maybe we’re optimistic, but it felt good to get a fresh start,” Zach says. “We were able to view
things in a positive light. We were lucky, in a sense; we were starting from scratch and had
nothing to lose. And when you’re coming from a place like that, that’s when things can creatively
become much more interesting.”
Zach relished this contract-free time, finding creative inspiration in not having to stick to a
schedule and a new encouragement in rediscovering his love of songwriting. From the duplex he
shares with his brother in LA’s Highland Park neighborhood, they revisited the songs they had
begun for a new Cayucas album, many of which hearkened back to the band’s roots and the
Beach Boys/surf rock sound of Bigfoot. Despite the feeling that persistence would eventually pay
off, he and Ben began to realize that the fresh start they had been gifted could be used for an
even bigger change. And with that, Zach started writing in a completely new direction.
We had written about a dozen demos that harkened back to our original sound. “The magic
wasn’t in the air, and we were somewhat forcing it,” he says of the first batch of post-Blue
Lagoon songs. “Starting over again was where this album was born. My brother and I are very
passionate about music; we can’t help but chase the next thread and get excited about new ideas.
I’m always trying to evolve as a songwriter so I have to chase what’s interesting me at that time.
And that summer I wanted to do something more pop. I’ve always loved pop music. When
you’re in a band you create this box for yourself of what you can and can’t do, and it’s hard to
get out of that box. We’d been trapped in this indie rock world, which was just one part of it; I
wanted to branch out from there but I didn’t know how. When I reached down into my heart of
hearts, I knew I wanted to do something more pop but in the style of Cayucas.”
With that epiphany firmly set in motion, Zach sat down and in a week during the summer of
2016 wrote “Winter of 98,” a nostalgia-baked sun ray which utilized a poppier chord progression
as well as a more polished production. Excited by the sound, Zach and Ben were encouraged to
continue in that direction.
“That was the spark that led to the album,” Zach says. “Writing ‘Winter of 98’ was kind of the
impetus for how we could go more pop. Those are the moments that any creative person is
hoping for, where you get really excited about an idea that seems to be working. Everything
changed at that point.”
Over the next six months, Zach wrote the majority of what would become Real Life, the third
full-length Cayucas record. They spent a few months searching for a producer, and in the fall of
2017, the Yudins entered the studio in Downtown Los Angeles with Dennis Herring (Elvis
Costello, Twin Shadow, Wavves, Modest Mouse) to make five songs. They worked in large
chunks of time, returning to the studio in the spring with another batch and finally finishing at
the end of May 2018. The brothers credit Herring with helping to breathe even more life into the
work; the producer loaded the stems of the duplex-recorded demos—drum samples, bass lines,
and the like—into ProTools and from that base the songs were built. And if some of the drums
sound familiar to longtime Cayucas fans, it’s no accident.
“It was mind blowing how Dennis helped us turn the demos into finished songs,” Zach says. “He
opened our eyes to what’s possible with songwriting and producing. There was no live
drumming, everything was sample based—which is hard to wrap your head around but that was
the pop sort of production I was getting into. I had tons of drum hits from our first album’s tracks
like ‘High School Lover’ and ‘Cayucos’ and we chopped them up, which was great because it let
us hold on to some of that vibe. There’s still a little nostalgia and it still feels like a Cayucas
Nostalgia is a concept that will always be a huge part of Cayucas’s music, and the songs on Real
Life are no different. As Ben says, “Looking back is on one of our favorite things to talk about.
We’re just fascinated by the constant evolution of people, friends from high school and college.
It makes for great lyrics and subject matter.” From the lament in “Winter of 98” of “if only I
could have back yesterday” to tales of playing pool in Santa Monica bars to the subject of first
single “Jessica WJ,” a bass-playing friend from their high school days, the band’s thematic flag is
planted firmly in the past.
As for the album’s title song, “Real Life” is a nod to both the nostalgia the brothers obsess over
as well as the positive thinking they embraced during the album’s beginnings. “That’s another
thing I like to write about, this blind optimism,” Zach says. “‘Real Life’ is an ode to my mid-20s,
writing music for fun and just waiting for real life to begin. I like lyrics with a lot of imagery, and
it’s filled with moments from when I was going through the motions work-wise but writing
music, being optimistic about the future and hoping one day to be able to release an album and
play a show.”
It’s a sentiment that hasn’t left Zach Yudin’s heart of hearts, and one that he shares dearly with
his twin brother. For Cayucas, a full embrace of optimism, the joy of creating, and a fresh start
has gotten them this far, and promises to carry them even farther.
“I’m just happy to still be excited about writing music,” Zach says. “That feeling comes & goes
but it hasn’t died.” I think that’s the only way to be successful is if you have a feeling inside that
motivates you through the good times and the bad. The excitement keeps pushing you towards
the next big idea—I still sit down at a piano every day and write—but we’re in a good place. We
made the album that we wanted to make, and that’s the goal, creatively. I can’t imagine it playing
out any better.”
Cape Francis
Cape Francis
Cape Francis is the solo project of Kevin Olken Henthorn, former singer/songwriter of Stone Cold Fox. After the break up of a band that worked heavily in traditional pop structures and production, Henthorn started the new project as a way to break form and reconnect to a natural flow of instrumentation and storytelling.

Henthorn started playing guitar when he was 9 years old. He studied music with teachers ranging from classical to blues to metal, but by the time he was 15 he decided to commit solely to writing his own material. For Henthorn, writing was a way to learn and push his fundamentals and discovery became intrinsic to each new piece he wrote.

Cape Francis was meant as a way to return to that mentality, to re-approach a relationship with an instrument after years of feeling stuck in indie rock power-chords. The outcome is a new sound for Henthorn. It is centered around finger picked electric guitar, and surrounded by simple arrangements of percussion and synthesizers, Cape Francis pulls from folk and modern influences alike to bring the listener to a feel good place where familiarity and discovery are both at the forefront. His debut LP Falling Into Pieces, out on Sleep Well Records, examines the themes of closure, identify and moving past failure through these lenses.
Venue Information:
Elsewhere - Rooftop
599 Johnson Ave.
Brooklyn, NY, 11237