HURRICANE SANDY RELIEF BENEFIT:, Bear In Heaven (DJ Set), Small Black

PopGun Presents

HURRICANE SANDY RELIEF BENEFIT:

Bear In Heaven (DJ Set)

Small Black

Nov 02

Doors: 11:30 pm / Show: 11:30 pm

Glasslands Gallery

Brooklyn, NY

Free w/ RSVP //$1 from every drink goes to hurricane relief!

RSVP HERE

This event is 21 and over

Bear In Heaven (DJ Set)
Bear In Heaven (DJ Set)
After months of testing their limits and trusting their instincts, Bear in Heaven will emerge in April 2012 with I Love You, It's Cool, an album so vivid and visionary that it meets and even exceeds the confidence and calm its title suggests.
In 2010, Beast Rest Forth Mouth delighted listeners with the unexpected-futuristic rock music that didn't sound alien or bound to ostracize. Taking these songs from coast to coast and continent to continent, they learned that having fun with this music was copacetic, that they could delight a crowd while defying musical binaries. I Love You, It's Cool turns that realization into a peerless set of instant anthems.
Indeed, some of these songs are ready for the floor. In one a perfect guitar figure spirals through colossal drums and slabs of synthesizers. Elsewhere bliss booms in icy keyboards reflecting off a relentless throb. It's inescapable.
The intricacy and edge of Bear in Heaven's music is sharper than ever before. The programming is both complex and compelling, whether in the refracted rainbows or woven noisy matrices. Certainly, in places it feels like a hit, with hooks that instantly catch and bridges that curl a finger-lyrically, stylistically, temptingly-toward the dance floor. Bear In Heaven's mix of nostalgia and need is immediately relatable, too, bringing the band's exploratory sounds a little closer back to home before they exit in momentary space-rock ascendance, a readymade rock-club banger that erupts into a bold new direction.
I Love You, It's Cool is the first time Bear in Heaven has sounded so unapologetic and so evolved, so risky and so redeeming, so focused and so finessed. After years of restless exploration, this feels like a definitive arrival. I Love You, It's Cool is music written in the present tense but ready to speak to the future. The work is its own rarified reward.
Small Black
Small Black
Gracing the cover of Brooklyn band Small Black’s new record, a mysterious woman walks alone on the dunes at dusk, amid pockmarked sand. She's the subject of a found photo, one of many rescued with the warmth of a blow dryer and a fireplace, by singer Josh Hayden Kolenik after Hurricane Sandy flooded his family’s Long Island home. The faded image offers clues and invites viewers to construct their own narrative, one that escapes even the picture’s taker, Kolenik’s father.

To put it simply, Best Blues is an album about loss, the specific loss of precious people in our lives, but also the loss of memories and the difficult fight to preserve them. “I spent months trying to scan all these images & letters, most covered with ocean dirt, and in doing so discovered what people often find in their family’s past: that they are a hell of a lot like those who’d come before,” says Kolenik. The chorus of standout “Boys Life” echoes this sentiment with the refrain “pictures of youth/picturing you,” over a track that itself was an old demo re-discovered by accident by the band, during a late night jam session at a cabin in Upstate NY. The compassion of the record collects itself in the soft repeating mantra-esque hook in "No One Wants It To Happen To You".

The group’s third full length release, written & recorded at their Brooklyn home studio, nicknamed 222, showcases a mature band still evolving, and embracing the unpredictable. Kolenik (keys, vocals), Ryan Heyner (guitar, keys, vocals), Juan Pieczanski (bass, guitar) and Jeff Curtin (drums) have been recording, writing, and often living together, throughout the life of the band, establishing a closeness that has allowed them to achieve easy creativity and unspoken chemistry. After a year of recording, that band enlisted mixer Nicholas Vernhes (War on Drugs, Deerhunter) of Rare Book Room Studio to help complete the record.

Best Blues finds the band in their sweet spot: the smoky intersection of considered & vulnerable songwriting and loose, almost nonchalant ambience. The addition of piano flourishes, trumpet (Darby Cicci of The Antlers), hidden acoustic guitars and Kaede Ford’s ethereal vocals provide new dimensions to the band’s already expansive sonic palette. Cut-to-the-chase rippers “Back at Belle’s” & “Checkpoints” embody & build on the group’s signature gritty yet focused electronic sound. While the more pastoral tracks, such as “Between Leos,” & “XX Century,” skeletally based on recorded improvisations, find the band painting a more nuanced, assured aural portrait. The repeating of the line “twentieth century” on closer, “XX Century”, serves as a coda for the album, offering a simple summation of what Best Blues’ intent has been from the opening Casio stab: an attempt to re-examine the past, but also one to let it go.
Venue Information:
Glasslands Gallery
289 Kent Avenue
Brooklyn, NY, 11249
http://www.theglasslands.com/