Palehound

PopGun Presents

Palehound

Leapling, Haybaby, Tall Friend

Mar 22

Doors: 8:00 pm / Show: 8:30 pm

Sunnyvale

Brooklyn, NY

$12.00

This event is all ages

Palehound
Palehound
Ellen Kempner, the 21-year-old guitarist and songwriter behind Boston based project, Palehound, is even more prodigious than her age suggests; influenced by her musician father, she struck out on the songwriting path while she was still in elementary school. “I was kind of a shy kid,” says Kempner. “Music was a good way for me to express myself – I had a hard time socially, and it was a way for me to feel like I could contribute something and impress people in some way.”

“I envy 10-year-old me,” she laughs. “I would sit in my room for an hour, write a song, and be done. Now, it takes more time.” The eight songs that make up Dry Food, which Kempner wrote from 2013 to 2014 and recorded with Gabe Wax (Wye Oak, Speedy Ortiz) last summer, are wry and confessional, full of unexpected twists and turns. Kempner’s whispery alto gives the album a raw, confessional feel, even on louder tracks like the crashing, reverb-augmented “Cushioned Caging.” That’s partially because Dry Food is a snapshot of a time in Kempner’s life defined by instability and shifting, leaving Sarah Lawrence before her eventual move to Boston.

“I was coming off a transitional time in my life,” says Kempner of the period when Dry Food was written. “I was struggling in college, and with mental health issues. The album is a snapshot of a weird time for me, where I was transitioning from being in college to getting a job.

“The year between 19 and 20 is this weirdly insignificant time – you’re kind of an adult, but not a real adult. That was kind of hard for me, to think, ‘I’m not a kid, and there are things in my life making that very, very obvious to me, but I also can’t really fathom being an adult yet.’”

Despite the underlying factors, though, Dry Food is confident and cohesive, full of sophisticated songwriting and guitar playing. Kempner cites Elliott Smith and Kim Deal, as well as Angel Olsen and her childhood musical hero Avril Lavigne, as songwriting influences. (“I was obsessed with Let Go, and I still love that album,” she declares. “I was in third grade and would wear ties to school.”)

The glistening, complex guitar work on the dreamy “Cinnamon” and the fuzzed-out textures on album opener “Molly” makes plain that Kempner’s musical roots grow deep. “Wes Montgomery is one of my biggest guitar influences,” she notes. “I studied his music in college, and I still will pull up a chart of his and try to figure it out.”

Kempner played everything but the drum parts on Dry Food, but live, Palehound is rounded out by drummer Jesse Weiss, of the gnarly Boston act Grass Is Green, and bassist David Khostinat, who had previously worked with Weiss in the band Supervolcano.

Teaming up with Weiss and his crisp, steady drumming was, for Kempner, serendipitous. “I heard [Grass Is Green] when I was 16 or 17, and I thought they were the best thing I’d ever heard in my life,” she says. “Particularly the drummer. I saw them live for the first time right after I’d turned 18, and I watched Jesse the whole time. I worshiped him.

“He has this innate sense of how to work his kit. I can just get onstage and know that he’s going to play perfectly, and I can rely on him.”

While Dry Food chronicles a particularly rough patch in Kempner’s life, it does so with verve and grit, not to mention sterling musicianship and wry lyrics. Dry Food is a flag-plant by a young woman with a lot on her mind and talent to burn.
Leapling
Leapling, the brainchild of Brooklyn-based songwriter Dan Arnes, is back in Suspended Animation, the band’s sophomore full length album. The band’s follow up to last year’s Vacant Page finds the collective moving in new directions of pop brilliance. Written while the band’s line-up was transitioning, Arnes stripped down the band’s art-pop exploration and found himself immersed in a bright new power-pop sound. The record is layered, nuanced, and full of musical deviation, but the results are coherent and evocative.

Suspended Animation is direct opposition to the band’s previous work, and the Leapling you thought you knew has been forever changed. Pushing themselves into new sonic bliss, the record bursts with swift arrangements and straight-forward yet deeply layered pop songs. Joined by Alejandro Salazar Dyer (drums), the quartet slimmed down to a trio resulting in a new energy and an earnest rawness that comes from a more minimalist approach. Inspired by a wide range of artists from the power-pop of Big Star and The Kinks, the soul of Stevie Wonder and Smokey Robinson, the oddball genius of Ween and Jim O’Rourke, and the timelessness of the Mowtown and Philly soul sound, Leapling have pulled their influences together, with no ideas left unturned. Bold and vibrant, Suspended Animation is an immediate record, eleven eclectic power-pop hits for these ever fleeting times.
Tall Friend
Venue Information:
Sunnyvale
1031 Grand St
Brooklyn, NY, 11211
http://www.sunnyvalebk.com/